Analysis of Lawang Sewu Museum as Dark Tourism in Semarang City

Authors

DOI:

https://doi.org/10.56743/ijothe.v5i2.764

Keywords:

Lawang Sewu, Dark Tourism, Phenomenology, Cultural Commodification, Education

Abstract

Lawang Sewu is one of the most iconic historical landmarks in Semarang, deeply associated with colonial heritage and tragic past events, particularly when its underground space functioned as a prison during the Japanese occupation. This historical background positions Lawang Sewu as a relevant subject within the framework of dark tourism, not merely through mystical narratives but as a medium of historical education, collective memory preservation, and humanitarian reflection. This study adopts a qualitative case study approach, employing observation, semi-structured interviews, and documentation. The analysis draws on dark tourism, cultural commodification, and phenomenology theories to illustrate how the visitor experience at Lawang Sewu extends beyond appreciating colonial architecture to engaging in historical understanding, emotional reflection, and the transformation of dark narratives into educational tourism value. The findings highlight that Lawang Sewu can be positioned as an ethical dark tourism destination that serves as a space for learning, reflection, and cultural identity reinforcement, thereby contributing positively to the development of heritage-based tourism in Semarang.

Author Biography

Wiwik Nirmala Sari, Universitas Pradita, Indonesia

A dedicated academic with degrees in Tourism and Tourism Studies, serves as a Lecturer in Tourism at Udayana University. Her current scholarly focus centers on the intersection of gastronomy tourism and sustainable tourism development.

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Published

2026-05-29

How to Cite

Dharmawan, R., & Nirmala Sari, W. (2026). Analysis of Lawang Sewu Museum as Dark Tourism in Semarang City. International Journal of Travel, Hospitality and Events, 5(2), 223–236. https://doi.org/10.56743/ijothe.v5i2.764